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Bassistの備忘録

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課題曲について

ポルトガルのリストは結構な量です。
オーケストラスタディーのリストはアメリカで良く出るものに似ています。
それプラス、Dittersdorf 1楽章(Gurber cadenza 付き) とBottesini、Koussevitzky、Vanhall の中から一つ選び全楽章。


そして、スペインは比較的量が少ない方でしょう。
ちょっと変わったリストです。
何でそんなの弾かせるの?っていうのもいくつかあります。
例えばHaydn のFarewell Symphony のbass soloとか。。。


先週、メトロポリタン歌劇場首席のTC先生のレッスンを受けた際に、「なんでFarewell があるのかなあ?」って聞いてみました。
TC 先生曰く、「多分、最後にこのsolo を弾いた人の出来が悪かったんで音楽監督からのリクエストじゃないか?」なんて言ってました。
そういうことってあるみたいですね。

下に2つのオケのリストを載せておきます。











ポルトガルのリスト

1st Round

Concerto: 
Karl Ditters von Dittersdorf、1st movement with cadenza(Gruber)

Excerpts:
Wolfgang Amadeus Mozart,
Symphony Nr. 40
1st movement: measure 115 to 138; measure 191 to 210. 4th movement: measure 49 to 65; measure 229 to 236


2nd Round
Excerpts:
Johann Sebastian Bach
Violin Concerto in E Major, 2nd movement

Ludwig van Beethoven
Symphony Nr. 7 - 1st movement: measures 15 to 23 and 275 to 299 / 2nd movement: 9 after F to 21 after F

Symphony Nr. 9 - Recitative / 4th movement: beginning to B; K to 18 before M; 2 before M to fermata; T to maestoso

Wolfgang Amadeus Mozart
Symphony Nr. 40
1st movement: measure 115 to 138; measure 191 to 210. 4th movement: measure 49 to 65; measure 229 to 236

Felix Mendelssohn-Bartholdy
Symphony Nr. 4
1st movement: measures 41 to 90; measures 237 to 331 / 2nd movement: all / 4th movement: measures 34 to 52; measures 222 to 234

Sergei Prokofiev
Classical Symphony
1st movement: number 15 to 2 before number 20

Richard Strauss
Ein Heldenleben
Number 9 to number 11; 8 before number 27 to 4 after number 28; number 40 to number 41; number 49 to 5 after number 49;
number 51 to number 66; number 77 to number 78


Third Round
Concerto by Bottesini, Koussevitsky or Vanhal, of the candidate's choide


Fourth Round
Orchestra Solos:

Alberto Ginastera
Variaciones Concertantes, Variation XI

Franz Joseph Haydn
Symphony Nr. 31, Variation VII

Gustav Mahler
Symphony Nr. 1, Solo from slow movement

Igor Stravinsky
Pulcinella, 7th movement

Sergei Prokofiev
Lt. Kije Suite, Solo










スペインのリスト
1st stage:
concerto and orchestral excerpts
a) First movement with cadenza from one of the following concertos:
K.D. VON DITTERSDORF: Concerto for double bass (orchestral tuning
in D)、
J.B. VAN HAL: Concerto for double bass

b) Orchestral excerpts as in second stage from the following pieces
BEETHOVEN: Symphony no. 5
BEETHOVEN: Symphony no. 9


2nd stage: concerto and orchestral excerpts
a) First and second movements of one of the following concertos:
BOTTESINI: Concerto no. 2 for double bass in B minor
KOUSSEVITZKY: Concerto four doble bass in F sharp minor, op. 3

a) Orchestral excerpts:
BARTOK: Concerto for orchestra
I. Introduzione: from bar 1 to bar 58
III. Elegia: from bar 1 to bar 9

BEETHOVEN: Symphony no. 5
3rd movement: from bar 1 to bar 18; from bar 53 to 74 and from bar 141 to 218

BEETHOVEN: Symphony no. 9
4th movement: recitative, from bar 8 to bar 90

MAHLER: Symphony no. 5
2nd movement: from rehearsal number 33 to the end
Last movement: rondó finale, from bar 166 to 186

MOZART: Symphony no. 40
1st movement: fom bar 114 to bar 134 and from bar 191 to bar 220
4th movement: from bar 49 to bar 62 and from bar 229 to bar 236

SHOSTAKOVICH: Symphony no. 5
1st movement: from bar 157 to bar 183
3rd movement: from bar 62 to bar 68 and from bar 177 to bar 181

STRAUSS: Life of a Hero
From number 9 to 13 bars after this number; from number 77 to 8 bars after this number


3rd stage: double bass solos
GINASTERA: Variaciones concertantes, op. 23
XI. Ripresa del tema per contrabasso

HAYDN: Symphony no. 45 “Farewell symphony”
4th movement. Adagio. Double bass solo

MAHLER: Symphony no. 1
3rd movement. Double bass solo

PROKOFIEV: Lieutenant Kijé. Romanza
Double bass solo

SAINT-SAËNS. Carnival of the animals
The elephant

SHOSTAKOVICH: Symphony no. 15
2nd movement. Double bass solo

STRAVINSKY: Pulcinella VII
Double bass solo

VERDI: Otello
Act IV. Double bass solo


4th stage: sight reading
[PR]
by basshidejp | 2009-05-12 02:02 | オーディション
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